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ISSUE 31:
When Memories Collide
在記憶抵觸時
March, 2017 Planner: Tenn, Bun-ki / Creator: Frédéric Dialynas Sanchez
Historical Oblivion and Digital Memorial: Interview with FX Harsono
歷史健忘與數位墓誌：專訪印尼藝術家胡丰文 ， Rikey Tenn
Necropolis For those Without Sleep: Interview with Bani Haykal
不眠者的公墓：專訪新加坡藝術家巴尼海卡爾 ， Hsu, Fang-tze
Sound Route: Three Notes on Geography
聲線計劃：地理記事三則 ， Wu, Chi-yu
Connecting the Dots: How to Listen to the Sound of Collective Memories?
由點而線：如何聽見集體記憶的聲音？ ， Rikey Tenn
When Memories Collide: Revisiting War in Vietnam and the Diaspora
武洪章臺選譯—在記憶抵觸時：重訪越南的征戰及離散（註1） ，Võ Hồng Chương-Đài，鄭文琦 (翻譯)
Mar
2017
Mar
2017
ISSUE 30:
The Recursive Days of Learning
在365天裡
January, 2017 Planner: Tenn, Bun-ki / Creator: Tentacles
A New Prosthetic of Historical Experience: Some Thoughts on Detention
歷史感受的新義肢：「返校」而來的一些聯想 ，史惟筑
Turing the Camera to the Crack of Historical Reality: Interview with IM Heung-Soon
以攝影機照看歷史現實的狹隙—專訪〈工業園區〉導演任興淳 ，謝以萱 (採訪、整理)
2016 Taipei Biennial: The Emancipative and Resonant Curating Method
2016台北雙年展釋放與共振的策展方法—觀視歷史，造形歷史 ， Wu, Yi-hua
Peter L. Galison: The Refusal of Time
Peter L. Galison選譯—時間的否決 ，鄭文琦 (翻譯)
Thousand Islands: The 4th Arkipel International Documentary & Experimental Film Festival
如何觀看「千島」？記第四屆ARKIPEL雅加達國際紀錄片與實驗影展 ， Rikey Tenn
Between the Unidentified Objects and the Unknown History: A Conversation with Nguyen Trinh Thi
之間：無法指認之物和歷史的未明（與阮純詩的對話） ， Au Sow Yee
How to Become an Island? Interview with Hoo Fan Chon, Run Amok
成為一座島嶼的方法 —專訪冉阿末（Run Amok）創辦人符芳俊 ， Rikey Tenn
A Carnal Look at the “Imaginary Body”
《Second Body》：如何觀看一個「想像的身體」？ ， Rikey Tenn
Jan
2017
Jan
2017
ISSUE 29:
THE OTHER DOCUMENTS
他者文件
November, 2016 Planner: 許芳慈 / Creator: Nadav Assor
1990: L.A., “The Gold Field”
1990：洛杉磯，〈金色大地〉 ，Felix Gonzalez-Torres，Futoshi Miyagi (選文)，林冠妤 (翻譯)
All Quiet on Jurong Road: Nanyang University and Radical Vision in Singapore [excerpt]
裕廊路水靜河飛：南洋大學與新加坡的激進之夢 (節錄) ，饒世藻，區秀詒 (翻譯)，Lucy Davis (節選)
The Intimacies of Other Humanities – Lisa Lowe in conversation with Hong-Kai Wang, Oct. 2015
他者間之親密性—王虹凱與駱里山（Lisa Lowe）於2015年10月的對談 ，Lisa Lowe，林書全 (校潤)，王虹凱 (審稿)
UNCOMPOSITION.COM (excerpt)
沒構圖部位 ，劉吉雄
“We Real Cool”
「我們真的很酷」 ，Jun Yang，許芳慈 (翻譯)
Chance Poem
機遇詩歌 ，NGUYEN Trinh-Thi，許芳慈 (翻譯)
10 Years after “Familiar Digits For an Unknown Telephone”
用十年談一件1分31秒的事 ， Lin, Yi-shiu
On Dirty Cartography and the problem with Modern Maps
論污鄙地誌學與現代繪測之問題 ，陳柏維 (翻譯)，許芳慈 (潤稿)
Nov
2016
Nov
2016
ISSUE 28:
NO WORK, NO ART?
藝術家會失業嗎？
September, 2016 Planner: 詹育杰 / Creator: 侯怡亭
Interview with Jan Ritsema, Founder of Performing Arts Forum
專訪法國「表演藝術論壇」發起人楊．利策馬（Jan Ritsema） ， Chan, Yu-chieh
Post-Work in the State of Precarious Normalcy
組織常態不穩定下的「後」工作 ， Chan, Yu-chieh
Isabell Lorey: Governmentality and Self-Precarization
Isabell Lorey選譯—治理術與自我遊動化 ，戚育瑄 (翻譯)，林書全 (校訂)
The Atypical as Normalcy: Labors in Arts
做為常態的非典型：藝術工作者的勞動 ， Lin, Yi-shiu
Alienation of the Labor Market of Performing Arts
表演藝術的勞動市場異形化 ，黃佩蔚
Virtual Residency: Huang, Po-Chih + Huang, Chien-Yu
線上進駐—黃博志、黃千瑜 ， Rikey Tenn
Sep
2016
Sep
2016
ISSUE 27:
FILM AND THE INHUMAN EYE
電影與非人之眼
July, 2016 Planner: 鄭文琦 / Creator: 吳俊輝
The Memory, Resurrection and Rebirth of Films: Interview with Wu, Chun-hui, part 1
膠卷的記憶、甦醒，與重生：專訪實驗電影導演吳俊輝(上) ，陳平浩，曾芷筠
The Memory, Resurrection and Rebirth of Films: Interview with Wu, Chun-hui, part 2
膠卷的記憶、甦醒，與重生：專訪實驗電影導演吳俊輝(下) ，陳平浩，曾芷筠
Sleepwalker that Ruminates on Time: Apichatpong and the King’s Tomb
反芻時間的夢遊者─阿比查邦與國王的陵墓 ， Lin, Yi-shiu
Splendid “Fireworks”: Heading Towards the Images Left in Memories
閃燃的〈煙火〉—朝向記憶存有的影像 ， Enkaryon Ang
The Meanings of Imagery in Literature in Le Moulin
《日曜日式散步者》的文學影像意義 ，陳佳琦
Production of Body Images and Physical Labor: Review on Hou, I-Ting’s Sewing Fields
從身體圖像生產到勞動身體：侯怡亭的「複體」、「代工繡場」與「繡像檯」系列 ，吳嘉瑄
Jul
2016
Jul
2016
ISSUE 26:
“Don’t Panic”
給未來讀者的線上指南
May, 2016 Planner: 鄭文琦 / Creator: 吳宜曄
“Cyborg” as an Image to Negotiate with the History
賽伯格作為介入歷史的意象 ， Hsu, Fang-tze
A Field Guide to Getting Lost
《實地迷路指南》線上導覽 ，李彥儀
How Chen, Che-Wei’s Deals with Memory Structure in CHILDHOOD
《童年》如何處理記憶的結構與流傳問題？ ， Wang, Po-wei
To An Equally Sober and Immoral Generation
致一個清醒與敗德等量齊觀的世代 ， Rikey Tenn
What Does Art Have to Do with the Public? The Institution
藝術如何與大眾相干？試答藝術館所的兩難 ， Wang, Kuan-ting
Art in Production 1: Media Artist Ku, Kuang-yi
生產(中)的藝術1：媒體藝術家顧廣毅 ，顧廣毅，簡婉竹 (整理)
Art in Production 1: Chen, Bo-wu aka Wetboy
生產(中)的藝術1：潤滑液男孩陳柏屼 ，陳柏屼，鄭文琦 (整理)
May
2016
May
2016
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