Copyright
Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .
「數位荒原」網站上文章之著作權由原發表人或媒體所有,原發表人(媒體)同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章,且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。
Contact
Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .




Subscribe No Man's Land
Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .
Unsubscribe No Man’s Land
ISSUE 28 : NO WORK, NO ART?
Alienation of the Labor Market of Performing Arts
表演藝術的勞動市場異形化
July 21st, 2016Type: Performance
Author: 黃佩蔚 Editor: Rikey Tenn
Quote From: 表演藝術評論台
Note: The articles “Alienation of the Labor Market of Performing Arts (1), (2)“, previously published on PAReview in April, are edited into one article on NML. The author often works as a project manager. She begins her writing with the recruitment of the exhibition New British Inventors: Inside Heatherwick Studio to point out the often-seen semi-legal predicaments in the field of performing arts. Factors as varied as “extended service” from the labors, information asymmetry and so on were mentioned here to deduce the reason for the continuation of self-exploitation, yet to give the solution; an open ending rather than an one-and-only answer.
一個徵人啟事常用的圖像
Footnote
[1]
[2]