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複合生物、意識形態和語言:專訪陳子豪 Au Sow Yee 林易萱, 鄭文琦 (中譯)Chung, I-Ting (copyeditor)
Interview
October 5th, 2020
(An e-mail dated 5th July 2020, 12:27pm:) “Broadly I am interested in ideological compositions. My research on the Makara and other composite creatures is an attempt at understanding how composites pr...
If we compare audio with video chat, we realize that the latter’s ‘visibility’ does not make two-dimension three-dimensional, or what might be called corporealization. On the contrary, due...
Rikey Tenn: I am conducting the interview in Open-Contemporary Art Center because the project “Nusantara Archive 2020: The Piracy, the Radio-wave, the Bubble” is a cooperation between OCAC and No Man’...
Esther Lu: Maybe we can start this conversation by introducing soft/WALL/studs’ origin, like how it began and how you met each other. Luca Lum: soft/WALL/studs (s/W/s) began in 2016 with four a...
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Chang En-Man: Just like your case, my mother always cooked snails, and her cooking for me is accompanied with emotional memory. The kind of snails that were used in cuisine were brought to Taiwan by J...