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ISSUE 46:
The Piracy, the Radiowave, the Bubble
海盜、電波、隔離圈
October, 2020 Planner: Rikey Tenn / Creator: 林怡君
The Moon, the Accomplices and Friends with Benefits: An Interview with soft/WALL/studs
月亮、共犯，與好友萬萬睡：專訪新加坡藝術計劃soft/WALL/studs ， Esther Lu
Composite Creature, Ideology, and Language: An Interview with Tan Zi Hao
複合生物、意識形態和語言：專訪陳子豪 ， Au Sow Yee
A Vagabond Cosmopolitan’s Note on Violence: Irwan & Tita’s “Fire Rim” Project
流浪漢世界主義者的暴力觀察筆記：伊旺及蒂塔的《火之環》計劃 ，張紋瑄，Chung Yi-ting (translator)
An Autonomous Archive of the Unseen: Post-Museum’s “Bukit Brown Index” Project
無主之地的自治檔案：後博物館的《武吉布朗索引》計劃 ， Rikey Tenn
Koh Pich, The End of History, and the Imagination of Common People
鑽石島，歷史的終結與庶民想像的契機 ，高俊宏
Resist the Normalized Self-Destruction of Atypical Labor: on Art Production during the Pandemic
抵抗自我崩毀的非典日常：再探災難下之藝術生產與勞動意涵 ，吳祥賓
Oct
2020
Oct
2020
ISSUE 45:
THE SEASON OF RADIO: an overture
廣播季節（序曲）
June, 2020 Planner: Rikey Tenn / Creator: 林怡君
Celebrating Radio: Stories from the Past
敬廣播：來自往昔的聲音 ，Vidya Murthy，Jermaine Huang，白斐嵐 (Translator)
The Great Leap of the Radiowave (放送今昔物語)
無線電波的飛躍式發展（放送今昔物語） ，賴英泰
Unfolding the History of Taiwan’s National Calisthenics from Chen Ching-Yao’s “International Radio Exercise”
從陳擎耀《國際收音機體操》回顧臺灣之近代體操演變 ， Rikey Tenn
The Southern Body and the Voice of History
南方之身與歷史之聲—思考《南洋情報交換所》的兩條路徑 ， Rikey Tenn
To Weave or Not to Weave? The Time Presumption of METAMORPHOSIS OF TIME
織布或不織布：「無時鐘特區」裡的時間預設 ， Rikey Tenn
The Lapse of Time: Something about “Lan-Siu Theng-Chiam (Lasse De Broder)”
關於《懶繡停針》，與後來的時間 ， Rikey Tenn
Jun
2020
Jun
2020
ISSUE 44:
Non-Intentional Sound
當聲音成為目的
March, 2020 Planner: Tenn, Bun-Ki / Creator: Xia Lin (林亭君)
Sheryl Cheung: Cosmopolitics in Sound
聲音裡的宇宙政治 ，張欣
How Do You Make Music a Body without Organs? Gilles Deleuze and Experimental Electronica [Excerpt]
如何把音樂變成無器官的身體？德勒茲和實驗電子音樂〔節錄〕 ，Christoph Cox，王婧 (翻譯)
A Composer without Composing: Review on Chang Yung-Ta’s Without Composing
不作曲的作曲者：張永達《Without Composing》 ， Rikey Tenn
Liu Chih-Hung: Three Notes from Sound Geography IV
劉致宏：《聲音地誌IV：達沃與亞庇》三則 ，劉致宏
How to Write down the Sound – Review on Liu Chih-Hung’s “Sound Geography”
聲音如何被記寫：談劉致宏的《聲音地誌Sound Geography》 ， Rikey Tenn
KINO-EAR: From the Point of View of Technical Object
《電影耳》：另一種技術物的提問 ， Rikey Tenn
Mar
2020
Mar
2020
ISSUE 43:
The Interpreters’ Writing I: East Indies & West Indies
詮釋者寫作計劃之一：東印度與西印度
January, 2020 Planner: Nobuo Takamori / Creator: Nobuo Takamori
Claire Tancons: Curating Carnival? Performance in Contemporary Caribbean Art [Excerpt]
Claire Tancons：嘉年華策展？當代加勒比海藝術中的表演〔節錄〕 ，Claire Tancons，高森信男 (翻譯)
Windward and Leeward – About the French Overseas Departments Removed from the European Continent
順風與逆風—關於那些不在歐洲的法國省分 ， Takamori Nobuo
The Oral Tradition of the Triangular Slave Trade
奴隸交易三角上的歌謠 ， Enkaryon Ang
A Travelogue of an Artist as an Introduction for a Video Essay
藝術家旅誌作為影像論文前言 ，mamoru，白斐嵐 (譯者)
Zuleikha Chaudhari: Rehearsing Azaad Hind Radio
Zuleikha Chaudhari：排練自由印度廣播 ，Zuleikha Chaudhari，鄭文琦 (翻譯)
A Conversation on Cooking, Memory, and Resistance: Interview with Singaporean Artists ila and Kin Chui
關於煮食、記憶，與反抗：與新加坡藝術家ila、Kin Chui對談 ， Chang, En-Man
Jan
2020
Jan
2020