Note: Tu, Pei-Shih’s style used to feature frame-by-frame animation that combined hand-drawing and collage of ready-made. The Abstraction Series is her first attempt to make animation with sequential-time frames of images. Through zooming-in and focusing on parts of thousands frames and printing them out, she reproduces animation that synchronizes the original timeline of the video, and the result is entirely different. It poses a question: is a animation film made with video as materials eligible to be deemed different from a video? Or ,rephrased with her own words, ”could any video work fit the logic of pixilation, meaning it would be an animation that is visually abstract but made with stop motion?”