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I. Domestication Upon entering the main space of Wu Chuan-Lun’s solo exhibition, No Country for Canine, on view in the third-floor gallery of the Taipei Fine Arts Museum (TFAM), audience first saw th...
This is not the first time Chew Win Chen (Okui Lala) delves into language as a subject of discussion for her art work. Her previous work titled “My Language Proficiency” (2017) explored individuality ...
[If] I had been with those Jesuits, that are said to have presented the first watch to the king of China, who took it to be a living creature, I should have thought I had fairly accounted for it, if, ...
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V. Photography in the Field Today I’d like to photograph the customs of the savage community, and gather both male and female savages around. I heard this old man is in his 90s; the purpose was to ask...
III. Ethnography and Anthropological Image of Official Institutions It is the 40th anniversary of reigning Taiwan. Photograph the changing savage customs, present-day status-quo and the scenery of sa...
I finally understand that (the naming of )Taiwan’s indigenous land, especially the east where was formerly named ‘The Darkest Formosa’ came with a good reason. I’ve been on several adventures and spen...