Review on Doug Aitken’ Site-specific Cinema “Sleepwalkers”, MOMA

Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .

「數位荒原」網站上文章之著作權由原發表人或媒體所有，原發表人（媒體）同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章，且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。

Contact

Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .

ISSUE 2 : Through the Black Box

Review on Doug Aitken’ Site-specific Cinema “Sleepwalkers”, MOMA

以移動成就視覺性：Doug Aitken 之介面夢遊

February 8th, 2012／ Type： Image

Author: Chiang, Ling-ching ／ Editor: Rikey Tenn

Note: The article discusses artist Doug Aitken's site-specfic moving-image and cinema installtion "Sleepwalkers" and "Black Mirrors" commissioned by MOMA and Deste Foundation respectively. According to the author, the potential of the video art will only be realized on the always-moving journey of the artist's exploration.

Sleepwalkers, D. Aitken , 2007. Installation view.

Black Mirror, 2011. Slaughterhouse installation view, Hydra, Greece

ISSUE 2 

             More Realistic Between Robot and Human? Problems of Postures in “New Vision Liyuan”
                
                ，

                Wang, Po-wei

             From White Box to Black Box, and Its Transcendence: Discussion on Curating New-Media Art
                
                ，

                Chiu, Chi-yung

             Thunderbolt, dream, death
                
                ，

                Chou, Yu-ling

             Review on Doug Aitken’ Site-specific Cinema “Sleepwalkers”, MOMA
                
                ，

                Chiang, Ling-ching

             Producing Disturbance: Herman Kolgen’s “Train Fragments”
                
                ，

                Wang, Po-wei

             DIY: The Militant Embrace of Technology
                
                 ， Marcin Ramocki

Footnote

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]

[12]

[13]

[14]