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Note: Based upon the traditional understanding of theater, the author tries to examine the paradox between the perception of “liveness” and the text in CBMI's "Render Ghost”. By articulating the theater as media, he aims to provide a certain guided path to “understanding of theatrical experience.” On the other hand, he puts forth a question regarding how a critic should take from his/her personal physical perception to respond to the reflection and stimuli of new technology/media and subsequently formulates an effective model for the mediatization of the theater.
