Trinity of Image, Interaction, and Narrative Production

Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .

「數位荒原」網站上文章之著作權由原發表人或媒體所有，原發表人（媒體）同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章，且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。

Contact

Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .

影像，互動與敘事生產的三位一體

March 11th, 2014／ Type： Image

Author: Wang, Sheng-hung ／ Editor: Rikey Tenn

Quote From: 《藝外》no53（副標：從電玩與當代數位藝術研究匯流中的兩個切面談起）

Note: The convergence of visual art, cinema and electronic game research has been one of the most important tendencies in recent years. However, only the interwoven relationship between contemporary art and film attracts most attention. This article attempts to explore the other two aspects of this convergence by examining the common ground of the art history and the history of electronic games, and by comparing the body and spectatorship in cinema and game.