Copyright
Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .
「數位荒原」網站上文章之著作權由原發表人或媒體所有,原發表人(媒體)同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章,且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。
Contact
Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .




Subscribe No Man's Land
Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .
Unsubscribe No Man’s Land
Jan Verwoert: Why is Art Met With Disbelief? It’s Too Much Like Magic
Jan Verwoert選譯—為何藝術信念不再?因為它太像魔術了
February 10th, 2015Type: Translation
Author: Jan Verwoert, 吳伯山 (翻譯) Editor: Rikey Tenn
Quote From: The Child Alberta, Silke Otto-Knapp and Jan Verwoert, eds. (Banff: The Banff Centre, Walter Phillips Gallery/ Vancouver: Setup, Issue 3.5, 2013)
Note: "Why is Art Met With Disbelief? It's Too Much Like Magic." Previously published in The Child Alberta, Silke Otto-Knapp and Jan Verwoert, eds. (Banff: The Banff Centre, Walter Phillips Gallery/ Vancouver: Setup, Issue 3.5, 2013), 164–173; and in COOKIE!, Vivian Sky Rehberg and Marnie Slater, eds. (Berlin: Sternberg Press / Rotterdam: Piet Zwart Institute, Willem de Kooning Academy, 2014), 91–106.
Christina Mackie's "Drop" openng at Praxes. Photo: Eva Lechner/PRAXES
Lin Wen-Tsao, 溫度計劃, Google Maps series
Footnote
[1]
[2]