Note: The audience may say that the 2012 Taipei Biennial challenges its audience most compared with the former, due to a considerable quantities of exhibited works included sorts of documents, photography, videos, installation, performance, furthermore, Taipei Fine Art Museum is not the only showground, it means you can't just grab it all in one time. Therefore the enormous, omnipresent characters of the exhibition are the metaphors referring to the Monster, the Monstrosity.
CHEN, Yin-yu/ James T. HONG; The Turner Archives (2011); photo courtesy of the artist
KAO, Chung-li; The Taste of Human Flesh (2010-2); photo courtesy of the artist
CHEN, Chieh-jen; Happiness Building I (2012); photo courtesy of the artist