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Note: The author interviewed the director of "The Moving Tent," Chen Singing, whose documentary featured Taiwan Haibizi. The article manifests Chen's understanding of documentary through the conversation. In an age when images inundate the society, how does a capturer of real images do more than just recording but revealing the internal reality, "allowing (as tent theatre does) the viewers to see reality" – as mentioned by Daizo Sakurai in the film, and seeing "the real" that can be demonstrated through the process of art?
