Note: The article looks at George Clark’s projects in Taiwan, including his solo exhibition The Planter’s Art at Soulangh Cultural Park, in which he presented “Mountains and Rivers of Home” (2016) - a film that periphrastically touches on layered/fragmental histories of Taiwan, and his talks focusing on the relationship between artists moving images and contemporary art. In the past 5 years, he recorded his trajectory that traveling in between LA, Hong Kong and Taiwan with film diary in order to trace a concealed family history. Here the author responds Clark's project with the alternative experiences of film-watching shaped by the creators and the filmmakers, including the moving images that are re-enacted into the museum as an art archive and art practice.