Copyright
Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .
「數位荒原」網站上文章之著作權由原發表人或媒體所有,原發表人(媒體)同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章,且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。
Contact
Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .




Subscribe No Man's Land
Please fill out your email to get the latest from No Man’s Land .
The information you supply will only be used by No Man’s Land .
Unsubscribe No Man’s Land
A Sound Art Practice of Locality: Interview with Chang Proton on Taitung Sound Art Festival
地方性與聲音藝術的實踐:專訪臺東聲音藝術節策展人張溥騰
October 31st, 2022Type: Interview
Author: Rikey Tenn , 張溥騰 Editor: Rikey Tenn
耳朵帶路工作坊; photo courtesy of Taitung Sound Art Festival
2001 Migration Music Festival; photo courtesy of treesmusic.co
Tzu Ni and Chang Proton (right), 2021 Taitung Sound Art Festival
Dawang Yingfan Huang, 2022 Taitung Sound Art Festival; photo courtesy of Taitung Sound Art Festival
Singing Chen, Afterimage for Tomorrow; photo courtesy of Taitung Sound Art Festival
耳朵帶路工作坊; photo courtesy of Taitung Sound Art Festival