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CONTRIBUTOR
總計2篇
Chen, Wan-yin
陳琬尹

Independent writer. Worked as editor in art magazine for several years. Interested in contemporary art and images; focusing on art theory and the development of cinema.

碩士主修影像美學理論,曾任多年藝術雜誌編輯、採訪,關注當代藝術創作型態與理論研究。

策展人黃香凝繼《羅莎的傷口》(註1) 後,再次以《影像的謀反》(The Rebellion of Moving Image)為題,持續探究動態影像藝術的當代使命和形變。策展論述中開宗明義地表示,錄像藝術已從發展初期對於敘事性的抵抗和挑戰,轉為從電影拍攝傳統裡吸取經驗,進而重新擁抱敘事,處理當代社會性...
由「另一種影像記事 The Other Cinema」(註1) 策劃的《每部影片都是一道謎語:黑盒子與白方塊的動態影像》今年9月已於台南蕭壠文化園區落幕,展出吳梓安的〈伊人〉、王君弘的〈漫長告別〉、路克・弗勒(Luke Fowler)的〈貧窮的紡織工人、反對技術革新的農人,以及瓊納・蘇斯考特迷惑的追...