Producing Disturbance: Herman Kolgen’s “Train Fragments”

Rights of the articles on No Man’s Land are reserved to the original authors or media. No Man’s Land is authorized to reproduce and distribute the articles freely. Users may distribute the articles on No Man’s Land accordingly to the above terms of use, and shall mark the author, and provide a link to the article on No Man’s Land .

「數位荒原」網站上文章之著作權由原發表人或媒體所有，原發表人（媒體）同意授權本站可自由重製及公開散佈該文章。使用者得按此原則自由分享本站收錄之文章，且註明作者姓名、轉載出處「數位荒原」與網頁的直接連結。

Contact

Please fill out your information to contact No Man’s Land .
The information you supply will only be used by No Man’s Land .

ISSUE 2 : Through the Black Box

Producing Disturbance: Herman Kolgen’s “Train Fragments”

製造擾動：赫曼．科肯的《拼貼風景》

February 23rd, 2012／ Type： Performance

Author: Wang, Po-wei ／ Editor: Rikey Tenn

Note: Herman Kolgen has performed a special version of "Train Fragments" in the opening night of "Transjourney 2012 Future Media Festival" (Curator: Wang, Jun-jieh), presented with the Ju Percussion Group. The show is part of the Triptych works (including "Overlap" and "Dust").

“Train Fragments”, Herman Kolgen + Teacher and Student Percussion Group, TNUA; photo courtesy of TUNA

Las hilanderas o La fábula de Aracne, óleo sobre lienzo, 220 x 289 cm, Madrid, Museo del Prado

ISSUE 2 

             More Realistic Between Robot and Human? Problems of Postures in “New Vision Liyuan”
                
                ，

                Wang, Po-wei

             From White Box to Black Box, and Its Transcendence: Discussion on Curating New-Media Art
                
                ，

                Chiu, Chi-yung

             Thunderbolt, dream, death
                
                ，

                Chou, Yu-ling

             Review on Doug Aitken’ Site-specific Cinema “Sleepwalkers”, MOMA
                
                ，

                Chiang, Ling-ching

             Producing Disturbance: Herman Kolgen’s “Train Fragments”
                
                ，

                Wang, Po-wei

             DIY: The Militant Embrace of Technology
                
                 ， Marcin Ramocki

Footnote

[1]

[2]

[3]

[4]

[5]

[6]

[7]

[8]

[9]

[10]

[11]