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Expressions and Applications of Mysticism in Korean Contemporary Art
從在地主體到普世議題:韓國當代藝術的神秘學表現與應用
July 25th, 2022Type: Opinion
Author: Chu Feng-yi Editor: Rikey Tenn
Kim Tschang-yeul, Rite, 1964; 韓國國立現代美術館館藏
Youn Myeung-ro, Tattoo 64-1, 1964; 韓國國立現代美術館館藏
(L) Lee Seung-taek, Life and Death, 1968; (R) The Fourth Group, Funeral Ceremony of the Established Art and Culture, 1970; 照片取自guardian.com
O Yoon, 劍歌, 1985
Park Saeng-kwang, Jeon Bong-jun, 1985; 韓國國立現代美術館館藏
Paik, Nam-june, With the Steps of the Wolf, 1990; 照片取自韓國現代美術館網站
Park Chan-Kyong, Citizen’s Forest, 2016
(L) 第13屆光州雙年展主視覺設計; (R) Lynn Hershman Leeson, Twisted Gravity, 2021
Angelo Plessas, Homo Noosphericus (Awareness), 2019, 175x130cm
陳瀅如、林麗純, Sonic Driving, 2021, 複合媒材裝置, 尺寸視場地而訂 (藝術家提供)
陳瀅如、林麗純, Sonic Driving, 2021, 複合媒材裝置, 尺寸視場地而訂 (藝術家提供)
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